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Review
“Los Angeles-born glamour girl, bohemian, artist, muse, sensualist, wit and pioneering foodie Eve Babitz...reads like Nora Ephron by way of Joan Didion, albeit with more lust and drugs and tequila...Reading Babitz is like being out on the warm open road at sundown, with what she called, in another book, '4/60 air conditioning' — that is, going 60 miles per hour with all four windows down. You can feel the wind in your hair.” —Dwight Garner, The New York Times“Eve’s Hollywood has become a classic of LA life. The names in the dedication, Jim Morrison, David Geffen, Andy Warhol, Stephen Stills, and more, indicate the era and depth of this important book.”—Steve Martin"Sharp and funny throughout, Babitz offers an almost cinematic portrait of Los Angeles: gritty, glamorous, toxic and intoxicating.” —Carmela Ciuraru, The New York Times “It's so good that I don't want to finish it.” —Laia Garcia, LennyLetter “Eve’s Hollywood is less a straightforward story or tell-all than a sure-footed collection of elliptical yet incisive vignettes and essays about love, longing, beauty, sex, friendship, art, artifice, and above all, Los Angeles. . . . Reading West (and Fante and Chandler and Cain and the like) made me want to go to Los Angeles. Babitz makes me feel like I’m there.” —Deborah Shapiro, The Second Pass “Eve Babitz is to prose what Chet Baker, with his light, airy style, lyrical but also rhythmic, detached but also sensuous, is to jazz.” —Lili Anolik, Vanity Fair“A beautiful stylist whose flourishes were almost always carefully doled out, calibrated, and sure… The joy of Babitz’s writing is in her ability to suggest that an experience is very nearly out of language while still articulating its force within it.” —Naomi Fry, New Republic“Babitz skips around time with ease and writes with the airy, knowing offhandedness of Renata Adler’s Jen Fain, except she eschews Manhattan sophistication in favor of a Hollywood unpretentiousness”—Alison Herman, Flavorwire“Her chronicle is laced with acerbic wit and sparkling charm...Babitz is a keen observer of her social milieu and the effects of beauty on power, and comes across as both a savvy cosmopolite and an ingénue in the same breath...Babitz takes the reader on travels to New York and Rome, but California provides her main canvas: a place where movie stars are discovered, earthquakes reverberate, and beautiful women overdose on drugs.” —Publishers Weekly“[A] charming tour guide who takes a wasteland and gives us back a wonderland.”—Steffie Nelson, New York magazine“Her voice on the page is no less mesmerizing than her presence in a room…The singular spectrum of her adventures, her friends, and her tastes reveal themselves in her unconventional and delightful dedication page(s).”—Nicole Jones, Vanity Fair"Eve Babitz, whose autobiographical vignettes of LA had an easygoing Mediterranean warmth and acceptance (she didn't billboard over the dark side of LA and Hollywood, she just didn't elevate it into a noir nihilism) that was the antithesis of Joan Didion's desert vision of bleached bones beneath numbed nerves. The pleasure principle still prevailed in Eve's writing, whatever the setbacks and heartbreaks." --James Wolcott, Vanity Fair"Her voice manages to be both serious and happy, with a run-on syntax that feels like a friend on her second glass of wine. Relentlessly unsentimental, she sees people for who they are, regardless of who she wants them to be...In Eve's Hollywood, she writes with the aching immediacy of adolescence and the wide-angle perspective of a woman much older -- and she's only in her 20s." --Holly Brubach, The New York Times"What truly sets Babitz apart from L.A. writers like Didion or Nathanael West [...] is that no matter what cruel realities she might face, a part of her still buys the Hollywood fantasy, feels its magnetic pull as much as that Midwestern hopeful who heads to the coast in pursuit of 'movie dreams.'" --Steffie Nelson, L.A. Review of Books"Eve Babitz is a little like Madame de Sevigne, that inveterate letter-writer of Louis XIV's time, transposed to the Chateau Marmont in the late 20th-Century--lunching, chatting, dressing, loving and crying in Hollywood, that latter-day Versailles." --Mollie Gregory, L.A. Times"As the cynosure of the counterculture, Eve Babitz knew everybody worth knowing; slept with everybody worth sleeping with and better still, made herself felt in every encounter." --Daniel Bernardi, PopMatters “Her romp through ’70s L.A. winkingly fulfills the promises of pleasure and delight so often scorched to nil by writers like Joan Didion.”—Ian Epstein, Vulture
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About the Author
Eve Babitz is the author of several books of fiction, including Sex and Rage: Advice to Young Ladies Eager for a Good Time; L.A. Woman; and Black Swans: Stories. Her nonfiction works include Fiorucci, The Book and Two by Two: Tango, Two-Step, and the L.A. Night. She has written for publications including Ms. and Esquire and in the late 1960s designed album covers for the Byrds, Buffalo Springfield, and Linda Ronstadt. Her novel Slow Days, Fast Company: The World, the Flesh, and L.A. (originally published in 1977) is forthcoming from NYRB Classics. Holly Brubach is the author of Choura: The Memoirs of Alexandra Danilova; Girlfriend: Men, Women & Drag; and A Dedicated Follower of Fashion, a collection of essays. Formerly Style Editor of The New York Times Magazine, she has been a staff writer for The New Yorker and The Atlantic Monthly, as well as a frequent contributor to numerous magazines. She lives in Pittsburgh.
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Product details
Series: New York Review Books Classics
Paperback: 352 pages
Publisher: NYRB Classics; Main edition (October 6, 2015)
Language: English
ISBN-10: 1590178904
ISBN-13: 978-1590178904
Product Dimensions:
5 x 0.7 x 8 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
34 customer reviews
Amazon Best Sellers Rank:
#43,750 in Books (See Top 100 in Books)
New York Review Classics is known for keeping underground classics in print and is behind the recent republication of Eve Babitz's first two books: Eve's Hollywood and Slow Days, Fast Company:The World, The Flesh and L.A. I thought these books would be good preparation/background for an upcoming trip to Southern California. So I started with Eve's Hollywood (1974), which is something akin to a memoir, but shrouded in fiction. I believe some names and incidents were change dot protect the innocent. Babitz comes from a talented family and is unabashedly proud of L.A. and resents the depictions from the like s of Joan Didion and Nathanael West who see it as a sort of cultural wasteland. Her father was a violinist who worked on movie scores for Fox and her mother was an artist. Stravinsky was her godfather and knew everyone from Jim Morrison to members of the Manson Family. Much of this is about her formative years at Hollywood High, an abortive stint in New York, her impressions and aspirations about life in California in the 60s and 70s. There is a lot of name dropping and several memorable observations throughout the book. She had this to say about cocaine: There are only three thing sot say about cocaine. One, there is no such thing as enough. Two, it will never be as good as the first time. Three, those first two facts constitute a tragedy of expense in ways that can't be experienced unless you've had cocaine.Here's her defense of L.A.: It takes a certain kind of innocence to like L.A., anyway. It requires a certain plain happiness inside to be happy in L.A., to choose it and be happy here.It is a smart, entertaining, profound, inspiring, and sometimes funny. I particularity liked the section called "The Landmark" in which she contemplates Janis Joplin's O.D. in which she suggests instead of shooting up in her hotel room she should have gone out for taquitos-one of life's great pleasures (something that I can appreciate as an ex-pat, it is extremely difficult to find good Mexican food outside of North America). She even includes a hand drawn map to show readers how to get to her favorite stand on Olvera Street.
Eve is a time and place kind of writer. She transports her audience and gives me, a youngin', nostalgia for a time I will only read about. This collection of essays deals with her family history, her adolescence, and the start of her career as an artist and all around rad woman. I will say the first half which dealt with her family and high school years was not quite as captivating as the latter part of the book. All-in-all a fabulous writer who proves you can be party-girl and an intellectual ;)
After being a Joan Didion devotee for years and years, I stumbled on Eve's work and was spellbound by her version of the very Hollywood that Joan had lived in at the same time. This book showcases Babitz's whip smart wit as she rubbed elbows with Hollywood's elite and hangers on alike.
Eve Babitz seems to have known where she was going --- or of where she didn't want to go, even before she did. The book is fun, wild, crazy, insightful and a beautiful social commentary on our world and of a young girl growing up to be an even more incredible woman. Warning: no pictures. Best go to her on the internet and be prepared. Oh what Marcel Duchamp came to.
Funny, just yesterday a friend returned Eve‘s books to me. Saying the same thing I did, she totally gets it, she’s a great writer, her view points are spot on. Writing is Witty. Love eves books. How does she ever remember exactly her teenage and young 20s mind? And how does she express it so that I remember exactly! Amazing
A series of increasingly remote, self-important and ambiguous vignettes....I didn’t mind reading this, but ultimately it made no sense at all.
It seemed that the second half of the book was a series of essays. I enjoyed some chapters. Other chapters were a labor to get through. Don't know if I'd read another of her books.
If only we could have tequila with Eve at the Chateau Marmont, and talk about what good frineds we could have been if I had been born earlier! What a precious blooming flower this period will forever be to this great book - a treasure.
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